Wednesday, 5 December 2012

Coolwallpaper

Source (Google.com.pk)
Coolwallpaper Biography
Attractive backgrounds to any graphics, banners or ads are relatively important. Getting the correct theme, whether it’s an abstract art, vector, or texture pattern, it somehow makes the entire artwork looks more interesting.

Some might not have noticed the great roles background images have played. For instance, forumites uses cool design background before messages in their forum signatures; some product graphic advertisements uses light subtle background to help create focus point; your website and desktop need nice backdrops too. Sometimes when I get a little limited by the amount of content I can insert onto an ad design, I’ll paint a light background behind it so the entire creative don’t look so empty.

Here’s 12 really nice abstract and background design Photoshop tutorials you might want to take a look at. It’s probably not about getting the exact effect they’ve got, but to pickup the technique and see how you can advance from there.


In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-eighteenth century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to selling on the middle-class British market. However this trade was seriously disrupted in 1755 by the Seven Years War and later the Napoleonic Wars, and by a heavy level of duty on imports to France.

In 1748 the British Ambassador to Paris decorated his salon with blue flock wallpaper, which then became very fashionable there. In the 1760s the French manufacturer Jean-Baptiste Réveillon hired designers working in silk and tapestry to produce some of the most subtle and luxurious wallpaper ever made. His sky blue wallpaper with fleurs-de-lys was used in 1783 on the first balloons by the Montgolfier brothers. The landscape painter Jean-Baptiste Pillement discovered in 1763 a method to use fast colours.

Hand-blocked wallpapers like these use hand-carved blocks and by the 18th century designs include panoramic views of antique architecture, exotic landscapes and pastoral subjects, as well as repeating patterns of stylized flowers, people and animals.

In 1785 Christophe-Philippe Oberkampf had invented the first machine for printing coloured tints on sheets of wallpaper. In 1799 Louis-Nicolas Robert patented a machine to produce continuous lengths of paper, the forerunner of the Fourdrinier machine. This ability to produce continuous lengths of wallpaper now offered the prospect of novel designs and nice tints being widely displayed in drawing rooms across Europe.

Wallpaper manufacturers active in England in the 18th c. included John Baptist Jackson[2] and John Sherringham. Among the firms established in 18th c. America: J. F. Bumstead & Co. (Boston), William Poyntell (Philadelphia), John Rugar (New York).

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